2008 New York Photo Festival
Wednesday, May 28th, 2008As part of my recent trip to New York City, I visited the 2008 NY Photo Festival, which was held from May 14th to the 18th in the DUMBO section of Brooklyn. I attended Thursday morning, just after the festival was opened to the general public. This had an advantage in that I was able to avoid the crowds, but a disadvantage as there were a couple exhibits that were not yet set up and I was unable to view. Even so, the majority of the exhibits were completely set up and on display, and I spent about 3 hours viewing the works of contemporary photographers from around the world.
One of the standout exhibits of the festival was “Beurochratics” by Jan Banning, part of the “New Typologies” exhibit. This is a series of photographs of government workers from around the world. Each of the subjects of the photo were seated behind their desks, surrounded by the tools of their trade and various objects that they had accumulated over the years. I eagerly read the brief stories that accompanied each image, which included the salaries of each of the subjects, calculated in Euros. One fact I found interesting was that the subject with the highest monthly salary was a secretary from Texas, nearing retirement age. Banning’s prints in the exhibit were large and colorful, measuring about three feet on a side. The images were presumably taken with a medium format camera. The images displayed in the exhibit, as well as others, can be sampled on Jan Bannings’s website, www.janbanning.nl.
Another exhibit I personally enjoyed and found interesting was “Various Photographs”, curated by Tim Barker. The exhibit consisted of seemingly random photographs, from different photographers, printed in 8×10 format and hung in a grid on the wall. There were over 200 photographs in the exhibit, and in my observation, they all appeared to be simple snapshots of everyday things and events. What was unique about them, however, was that each image had something unique, bizarre, or otherwise eye-catching in them. As the curator noted in the Festival Program about this exhibit, “This show is a series of questions, an equation of symbols, a list of riddles - None of which have an answer”. It was fun browsing through these images, and experiencing the wide and varied emotional reactions I had to each.
As with any collection of contemporary art exhibits, I found a couple that I just didn’t understand. For example, one exhibit consisted entirely of photographs of camera flashes reflecting off of TV screens. The reflections had all been cropped out of photographs of Television sets posted on local Craigslist listings. The images all looked like grainy telescope images of distant celestial bodies and were organized on the wall so as to appear to build collection of stars. Another series I did not quite understand was displayed in the Chisel exhibit. It was a series of images of matted-down meadow grass. The meadow grass had presumable been matted down by animals, such as deer, making a place to sleep for the night, though I couldn’t find any information on how accurate my guess was.
There were many other exhibits, displaying a wide range of artistic and photographic styles, as well as post-processing and presentation techniques. Some of these included:
Chisel, which included a series of abstract images of shredded tires, and another featuring photographs of crumpled horse racing betting tickets. The latter was much more interesting than its subject matter would imply, as you could see the emotions that were experienced during the crumpling of these tickets.
The Ubiquitous Image, which included a wall of 5×7 prints of the sun and the moon, Images made from narrow slices of magazine prints, and large re-prints of old magazine advertisements.
There was also a series of satellite shows in the Tobacco warehouse, which highlighted photographs created using new, creative, or otherwise interesting post-processing techniques.
Talks, demonstrations, and presentations also occurred throughout each day of the festival, though my student pass did not grant me access to these events. Overall, attending the festival was certainly worth attending. Though the Festival may not be for everyone, I found it inspiring to see what contemporary photographers are doing and how new technologies and techniques are being used by professionals.




















